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The Sandman is a comic book series written by Neil Gaiman. Published in the United States by DC Comics for 75 issues from 1988 until 1996, it was one of the flagship titles of DC's Vertigo imprint, and is currently kept in print as a series of ten trade paperbacks. It is widely considered one of the most original, sophisticated and artistically ambitious comic book series of the modern age and is the only comic book to ever win the World Fantasy Award. By the time of the series' conclusion, it had made significant contributions to the artistic maturity of English language comic books and become a pop culture phenomenon in its own right.
Setting
The story-lines primarily take place in the Dreaming, Morpheus's realm, and the waking world, with occasional visits to other domains, such as Hell, Faerie, Asgard, and the domains of the other Endless. Many used the contemporary United States of America and the United Kingdom as a backdrop. The DC Universe was the official setting of the series, but well-known DC characters and places were rarely featured after 1990, with one exception: Lyta Hall, formerly Fury of the 80s super-team Infinity Inc., figures prominently in the "Kindly Ones" story arc. John Constantine and Doctor Destiny are also key characters in two of the early issues. And in the final volume, Superman, Batman, and the Martian Manhunter all have a very brief cameo.
Most of the storylines take place in modern times (presumably the late 1980s and early 1990s), but many short stories are set in the past, taking advantage of the immortal nature of many of the characters, and deal with historical individuals and events.
Protagonist
The protagonist of Sandman is Dream, the immortal anthropomorphic personification of dreams and story telling. He is known by an array of names, most often Morpheus, but also Oneiros, Lord Shaper, Lord Kai'ckul, Lord L'Zoril, the Prince of Stories, the Carrion King, and, rarely, "The Sandman." He is one of a family of seven siblings known as the Endless, each of whom personifies some aspect of reality, such as Death or Desire.
Comic books
The Sandman is one of the most widely respected English language comic book series of its time, finding recognition not only within the comic book industry but in the general literary world. It is generally ranked among such works as Alan Moore and Dave Gibbons's Watchmen, Frank Miller's Batman: The Dark Knight Returns and Art Spiegelman's Maus in terms of critical acclaim and its conferring of respectability on comics. The Sandman supported the notion that comic books could be high-quality literature or art even in a long-running series.
Although The Sandman existed within the world of the superhero genre (DC characters — such as Doctor Destiny, the Justice League, and John Constantine — occasionally interacted with Morpheus, and characters like Green Lantern and Batman were seen in cameos), most of the main characters (save Lyta Hall and Daniel Hall) have no direct connections with it. Factual persons — such as William Shakespeare, Emperor Norton and Mark Twain — also made appearances. The first third of the series somewhat conformed to the horror genre, but it later grew into an elaborate fantasy series, incorporating elements of classical and contemporary mythology. The series is occasionally labeled as "Sophisticated Suspense", a small genre that also includes Swamp Thing (particularly after Alan Moore took over writing it in the 1980s), and Jamie Delano's Hellblazer.
The Sandman also demonstrated that non-superhero comic books could be successful. Along with Alan Moore’s Swamp Thing stories, Sandman helped establish "sophisticated suspense", a genre which is meant for older readers, includes elements of horror and fantasy, and tackles controversial topics. Sandman was one of the original Vertigo comics, an imprint which specialized in this genre and published some of the most acclaimed series of the 1990s, including Preacher and Animal Man.
The Sandman also strengthened the importance of the writer in comic books. Before Sandman, writers were often overshadowed by superstar artists such as Todd McFarlane and Jim Lee. Gaiman became one of the most popular comic book creators of the era (launching his career as a novelist).
The series paved the way for the long-form but finite comic book series as multi-layered serial fiction. Like a novel, and unlike all but a few prior comics series, The Sandman told a single complete story over seventy-five issues with a beginning, middle, and definitive end. Yet the book was also composed chiefly of a handful of story arcs that also moved from commencement to conclusion on a smaller scale, and these arcs consisted of individual issues of the magazine which themselves followed a finite narrative line within the context of the larger work surrounding them. Since The Sandman, this format has become increasingly popular and a staple of DC's Vertigo imprint, e.g., Grant Morrison's The Invisibles, Brian Vaughan's Y - The Last Man Vaughan's Ex Machina from DC's Wildstorm imprint, Brian Azzarello and Eduardo Risso's 100 Bullets, the aforementioned Preacher, James Robinson's Starman and the Lucifer series by Mike Carey, (a Sandman spin-off) have incorporated similar styles.
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